From Blu Pepper, this dress features:Off-the shoulder necklineLong sleevesMidi lengthPulloverViscose/polyesterHand wash/lay flat to dryImported.

Versace Fall 2025: Going for Baroque

SANDRO high-neck zip-up Cardigan Black

Versace Kids Barocco patchwork straight-leg jeans Barocco patchwork straight-leg jeans from Versace Kids featuring blue, cotton blend, patchwork design, signature Barocco print, straight leg, slim cut, front button and zip fastening, low-rise and classic five pockets. Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Outer: Polyester 100%, Cotton 98%, Elastane 2% Lining: Polyester 65%, Cotton 35% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 18441942 Brand style ID: 10052521A03453

Versace Kids Barocco Kids-print trousers Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights Black/gold silk baroque-pattern print trousers from Versace Kids featuring baroque-pattern print, elasticated waistband and straight leg. Composition Silk 100%, Viscose 52%, Cupro 48% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 17341012 Brand style ID: 10035181A02442

How inventive of Carol Burnett’s costume designer Bob Mackie, for that famous “Gone With The Wind” sendup, to transform parlor curtains, rod included, into an unforgettable Scarlett O’Hara costume. At a time when interior design, hospitality and fashion have never been closer, how cheeky of Donatella Versace to pilfer quilts from the Versace Home collection and transform them into a glamorous, portrait collar puffer jacket; a tutu, and a corset-topped, leg-baring ballgown as sexy as it was cozy. The house’s bold, baroque prints formed the backbone of a strong Versace fall collection, also appearing on leggings, sculpted skater skirts, silky balloon-sleeve blouses – and lining long leather and wool coats. The menswear must have sent Hanan Besovic into raptures, given all the sweeping coats, flashy shirts and gold hardware favored by the fashion commentator known by his Instagram handle I Deserve Couture. Some printed shirts and jeans were glazed with clear sequins for extra oomph. You May Also Like From the moment the show lights went up at the giant streetcar depot, illuminating a very long black runway belching dry ice, you could feel the Versace fierceness that’s been missing the past few seasons. (You could also feel the over-the-top luxury of heated bench seats, and rococo-print lap blankets.) The heels on shoes were shaped like daggers, the platforms could give you vertigo, and there were enough leather pants for a Peter Marino lookalike party. You could quibble that the collection was too rooted in the past – but what a past! The extensive show notes highlighted that the studded, V-shaped collars and pockets were cribbed from the fall 1991 collection; the offset shoulders from fall 1997, and a pair of exceptional swagged-fringe dresses in gold and silver from the fall 1998 Atelier couture range. The designer interspersed sleek black tailoring between more opulent looks, and her roomy black blazers looked cool shrugged over strapless minidresses, frilly bodysuits or a lingerie-style slip. Celebrity Gallery 8 Photos View Gallery The dresses were terrific, from skater styles with crystal-embroidered skirts to chainmail gowns that may very well turn up on Oscar night on Sunday. Versace did not offer previews this season, or backstage interviews, perhaps to avoid questions about the sale of the company – its American owner Capri is said to be in the late stages of finding a buyer – and about her own future as its longtime creative leader. Luckily, the collection spoke for itself, clear and loud.

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